nobody loses all the time
nobody loses all the time
i had an uncle named
Sol who was a born failure and
nearly everybody said he should have gone
into vaudeville perhaps because my Uncle Sol could
sing McCann He Was A Diver on Xmas Eve like Hell Itself which
may or may not account for the fact that my Uncle
Sol indulged in that possibly most inexcusable
of all to use a highfalootin phrase
luxuries that is or to
wit farming and be
it needlessly
added
my Uncle Sol's farm
failed because the chickens
ate the vegetables so
my Uncle Sol had a
chicken farm till the
skunks ate the chickens when
my Uncle Sol
had a skunk farm but
the skunks caught cold and
died and so
my Uncle Sol imitated the
skunks in a subtle manner
or by drowning himself in the watertank
but somebody who'd given my Uncle Sol a Victor
Victrola and records while he lived presented to
him upon the auspicious occasion of his decease a
scrumptious not to mention splendiferous funeral with
tall boys in black gloves and flowers and everything and
i remember we all cried like the Missouri
when my Uncle Sol's coffin lurched because
somebody pressed a button
(and down went
my uncle
Sol
and started a worm farm)
chanson innocente
in Just- spring when the world is mud- luscious the little lame balloonman whistles far and wee and eddieandbill come running from marbles and piracies and it's spring when the world is puddle-wonderful the queer old balloonman whistles far and wee and bettyandisabel come dancing from hopscotch and jump-rope and it's spring and the goat-footed balloonman whistles far and wee
since feeling is first
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all the flowers. Don't cry
- the best gesture of my brain is less than
your eyelids' flutter which says
we are for each other: then
laugh, leaning back in my arms
for life's not a paragraph
and death i think is no parenthesis
anyone lived in a pretty how town
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did.
Women and men (both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain
children guessed (but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
When by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then) they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folks buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes
Women and men (both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
i sing of olaf
i sing of Olaf glad and big whose warmest heart recoiled at war: a conscientious object-or his wellbeloved colonel (trig westpointer most succinctly bred) took erring Olaf soon in hand; but - though a host of overjoyed noncoms (first knocking on the head him) do through icy waters roll that helplessness which others stroke with brushes recently employed anent this muddy toiletbowl, while kindred intellects evoke allegiance per blunt instruments - Olaf (being to all intents a corpse and wanting any rag upon what God unto him gave) responds, without getting annoyed "I will not kiss your f.ing flag" straightaway the silver bird looked grave (departing hurriedly to shave) but - through all kinds of officers (a yearning nation's blueeyed pride) their passive prey did kick and curse until for wear their clarion voices and boots were much the worse, and egged the firstclassprivates on his rectum wickedly to tease by means of skilfully applied bayonets roasted hot with heat - Olaf (upon what were once knees) does almost ceaselessly repeat "there is some s. I will not eat" our president, being of which assertions duly notified threw the yellowsonofabitch unto a dungeon, where he died Christ (of His mercy infinite) i pray to see; and Olaf, too preponderatingly because unless statistics lie he was more brave than me: more blond than you.
my love
my love
thy hair is one kingdom the king whereof is darkness thy forehead is a flight of flowers thy head is a quick forest filled with sleeping birds thy breasts are swarms of white bees upon the bough of thy body thy body to me is April in those armpits is the approach of spring thy thighs are white horses yoked to a chariot of kings they are the striking of a good minstrel between them is always a pleasant song my love thy head is a casket of the cool jewel of thy mind the hair of thy head is one warrior innocent of defeat thy hair upon thy shoulders is an army with victory and with trumpets thy legs are the trees of dreaming whose fruit is the very eatage of forgetfulness thy lips are satraps in scarlet in whose kiss is the combinings of kings thy wrists are holy which are the keepers of the keys of thy blood thy feet upon thy ankles are flowers in vases of silver in thy beauty is the dilemma of flutes thy eyes are the betrayal of bells comprehended through incense
pity this busy monster
pity this busy monster, manunkind, not. Progress is a comfortable disease: your victim (death and life safely beyond) plays with the bigness of his littleness - electrons deify one razorblade into a mountainrange; lenses extend unwish through curving wherewhen till unwish returns on its unself. A world of made is not a world of born - pity poor flesh and trees, poor stars and stones, but never this fine specimen of hypermagical ultraomnipotence. We doctors know a hopeless case if - listen: there's a hell of a good universe next door; let's go
who knows
get into it, if they
should take me and take you into their balloon
why then
we'd go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody's ever visited, where
always
it's
Spring) and everyone's
in love and flowers pick themselves.
all in green
All in green went my love riding
on a great horse of gold
into the silver dawn.
Four lean hounds crouched low and smiling
the merry deer ran before.
Fleeter be they than dappled dreams
the swift red deer
the red rare deer.
Four red roebuck at a white water
the cruel bugle sang before.
Horn at hip went my love riding
riding the echo down
into the silver dawn.
Four lean hounds crouched low and smiling
the level meadows ran before.
Softer be they than slippered sleep
the lean lithe deer
the fleet flown deer.
Four fleet does at a gold valley
the famished arrow sang before.
Bow at belt went my love riding
riding the mountain down
into the silver dawn.
Four lean hounds crouched low and smiling
the sheer peaks ran before.
Paler be they than daunting death
the sleek slim deer
the tall tense deer.
Four tall stags at the green mountain
the lucky hunter sang before.
All in green went my love riding
on a great horse of gold
into the silver dawn.
Four lean hounds crouched low and smiling
my heart fell dead before.
Spring is like a perhaps hand
Spring is like a perhaps hand
(which comes carefully
out of Nowhere) arranging
a window, into which people look (while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here) and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things, while
people stare carefully
moving a perhaps
fraction of flower here placing
and inch of air there) and
without breaking anything
these children singing
these children singing in stone a silence of stone these little children wound with stone flowers opening for ever these silently lit tle children are petals their song is a flower of always their flowers of stone are silently singing a song more silent than silence these always children forever singing wreathed with singing blossoms children of stone with blossoming eyes know if a lit tle tree listens forever to always children singing forever a song made of silent as stone silence of song.
when serpents bargain
when serpents bargain for the right to squirm
and the sun strikes to gain a living wage -
when thorns regard their roses with alarm
and rainbows are insured against old age
when every thrush may sing no new moon in
if all screech-owls have not okayed his voice
- and any wave signs on the dotted line
or else an ocean is compelled to close
when the oak begs permission of the birch
to make an acorn - valleys accuse their
mountains of having altitude - and march
denounces april as a saboteur
then we'll believe in that incredible
unanimal mankind (and not until)
somewhere i have never travelled
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
Is Something Wrong - 1945
Is something wrong with America's socalled creative artists? Why don't our poets and painters and composers and so forth glorify the war effort? Are they Good Americans or are they not?
First: are they Good Americans . . .
when i was a boy, Good Americans were - believe it or don't - adoring the Japanese and loathing the Russians; now, Good Americans are adoring the Russians and loathing the Japanese. Furthermore (in case you were born yesterday) yesterday Good Americans were adoring the Finns; today Good Americans are either loathing the Finns or completely forgetting that Finland exists. Not even the fact that twice during my lifetime Good Americans have succeeded in disliking the Germans can convince me that any human being (such as an artist) is a Good American.
Second: why don't they glorify . . .
when you confuse art with propaganda, you confuse an act of God with something that can be turned on and off like the hot water faucet. If God means nothing to you (or less than nothing) I'll cheerfully substitute one of your own favorite words, "freedom." You confuse freedom - the only freedom - with absolute tyranny. Let me, incidentally, opine that absolute tyranny is what most of you are really after; that your socalled ideal isn't America at all and never was America at all: that you'll never be satisfied until what Father Abraham called "a new nation, conceived in liberty" becomes just another subhuman superstate (like the "great freedom-loving democracy" of Comrade Stalin) where an artist - or any other human being - either does as he's told or turns into fertilizer.
Third: is something wrong . . . .
all over a socalled world, hundred of millions of servile and insolent inhuman unbeings are busily rolling and unrolling in the enlightenment of propaganda. So what? There are still a few erect human beings in the socalled world. Proudly and humbly I say to these human beings:
"O my fellow citizens, many an honest man believes a lie. Though you are as honest as the day, and hate the liar, fear and hate him when he should be feared and hated: now. Fear and hate him where he should be feared and hated: in yourselves.
"Do not hate and fear the artist in yourselves, my fellow citizens. Honour him and love him. Love him truly - do not try to possess him. Trust him as nobly as you trust tomorrow.
"Only the artist in yourselves is more truthful than the night."