Robert Graves







The Troll's Nosegay

A simple nosegay! Was that much to ask?
(Winter still nagged, with scarce a bud yet showing.)
He loved her ill, if he resigned the task.
'Somewhere,' she cried, 'there must be blossom blowing.'
It seems my lady wept and the troll swore
By Heaven he hated tears: he'd cure her spleen -
Where she had begged one flower he'd shower fourscore,
A bunch fit to amaze a China Queen.

Cold fog-drawn Lily, pale mist-magic Rose
He conjured, and in a glassy cauldron set
WIth elvish unsubstantial Mignonette
And such vague blooms as wandering dreams enclose.
But she?
    Awed,
      Charmed to tears,
        Distracted,
             Yet -
Even yet, perhaps, a trifle piqued - who knows?

The Frog and the Golden Ball

She let her golden ball fall down the well
    And begged a cold frog to retrieve it;
For which she kissed his ugly, gaping mouth -
    Indeed, he could scarce believe it.

And seeing him transformed to his princely shape,
    Who had been by hags enchanted,
She knew she could never love another man
    Nor by any fate be daunted.

But what would her royal father and mother say?
    They had promised her in marriage
To a cousin whose wide kingdom marched with theirs,
    Who rode in a jeweled carriage.

'Our plight, dear heart, would appear past human hope
    To all except you and me: to all
Who have never swum as a frog in a dark well
    Or have lost a golden ball.'

'What then shall we do now?' she asked her lover.
    He kissed her again, and said:
'Is magic of love less powerful at your Court
    Than at this green well-head?'

The Cool Web

Children are dumb to say how hot the day is,
How hot the scent is of the summer rose,
How dreadful the black wastes of evening sky,
How dreadful the tall soldiers drumming by.

But we have speech, to chill the angry day,
And speech, to dull the rose's cruel scent.
We spell away the overhanging night,
We spell away the soldiers and the fright.

There's a cool web of language winds us in,
Retreat from too much joy or too much fear:
We grow sea-green at last and coldly die
In brininess and volubility.

But if we let our tongues lose self-possession,
Throwing off language and its watery clasp
Before our death, instead of when death comes,
Facing the wide glare of the children's day,
Facing the rose, the dark sky, and the drums
We shall go mad no doubt and die that way.

Symptoms of Love

Love is universal migraine,
A bright stain on the vision
Blotting out reason.

Symptoms of true love
Are leanness, jealousy,
Laggard dawns;

Are omens and nightmares -
Listening for a knock,
Waiting for a sign:

For a touch of her fingers
In a darkened room,
For a searching look.

Take courage, lover!
Could you endure such pain
At any hand but hers?

In Broken Images

He is quick, thinking in clear images;
I am slow, thinking in broken images.

He becomes dull, trusting to his clear images;
I become sharp, mistrusting my broken images.

Trusting his images, he assumes their relevance;
Mistrusting my images, I question their relevance.

Assuming their relevance, he assumes the fact;
Questioning their relevance, I question the fact.

When the fact fails him, he questions his senses;
When the fact fails me, I approve my senses.

He continues quick and dull in his clear images;
I continue slow and sharp in my broken images.

He in a new confusion of his understanding;
I in a new understanding of my confusion.

She Tells Her Love

She tells her love while half asleep,
    In the dark hours,
       With half-words whispered low:
As Earth stirs in her winter sleep
    And put out grass and flowers
       Despite the snow,
       Despite the falling snow.