All That Time

I saw two trees embracing.
One leaned on the other
as if to throw her down.
But she was the upright one.
Since their twin youth, maybe she
had been pulling him toward her
all that time,

and finally almost uprooted him.
He was the thin, dry, insecure one,
the most wind-warped, you could see.
And where their tops tangled
it looked like he was crying
on her shoulder.
On the other hand, maybe he

had been trying to weaken her,
break her, or at least
make her bend
over backwards for him
just a little bit.
And all that time
she was standing up to him

the best she could.
She was the most stubborn,
the straightest one, that’s a fact.
But he had been willing
to change himself—
even if it was for the worse—
all that time.

At the top they looked like one
tree, where they were embracing.
It was plain they’d be
always together.
Too late now to part.
When the wind blew, you could hear
them rubbing on each other.

Southbound on the Freeway

A tourist came in from Orbitville,
parked in the air, and said:
The creatures of this star
are made of metal and glass.
Through the transparent parts
you can see their guts.
Their feet are round and roll
on diagrams — or long
measuring tapes — dark
with white lines.
They have four eyes.
The two in the back are red.
Sometimes you can see a 5-eyed
one, with a red eye turning
on the top of his head.
He must be special —
the others respect him,
and go slow,
when he passes, winding
among them from behind.
They all hiss as they glide,
like inches, down the marked
tapes. Those soft shapes,
shadowy inside
the hard bodies — are they
their guts or their brains? 

The Centaur

The summer that I was ten–
Can it be there was only one
summer that I was ten? It must

have been a long one then–
each day I'd go out to choose
a fresh horse from my stable

which was a willow grove
down by the old canal.
I'd go on my two bare feet.

But when, with my brother's jack-knife,
I had cut me a long limber horse
with a good thick knob for a head,

and peeled him slick and clean
except a few leaves for the tail,
and cinched my brother's belt

around his head for a rein,
I'd straddle and canter him fast
up the grass bank to the path,

trot along in the lovely dust
that talcumed over his hoofs,
hiding my toes, and turning

his feet to swift half-moons.
The willow knob with the strap
jouncing between my thighs

was the pommel and yet the poll
of my nickering pony's head.
My head and my neck were mine,

yet they were shaped like a horse.
My hair flopped to the side
like the mane of a horse in the wind.

My forelock swung in my eyes,
my neck arched and I snorted.
I shied and skittered and reared,

stopped and raised my knees,
pawed at the ground and quivered.
My teeth bared as we wheeled

and swished through the dust again.
I was the horse and the rider,
and the leather I slapped to his rump

spanked my own behind.
Doubled, my two hoofs beat
a gallop along the bank,

the wind twanged in my mane,
my mouth squared to the bit.
And yet I sat on my steed

quiet, negligent riding,
my toes standing the stirrups,
my thighs hugging his ribs.

At a walk we drew up to the porch.
I tethered him to a paling.
Dismounting, I smoothed my skirt

and entered the dusky hall.
My feet on the clean linoleum
left ghostly toes in the hall.

Where have you been? said my mother.
Been riding, I said from the sink,
and filled me a glass of water.

What's that in your pocket? she said.
Just my knife. It weighted my pocket
and stretched my dress awry.

Go tie back your hair, said my mother,
and Why is your mouth all green?
Rob Roy, he pulled some clover
as we crossed the field, I told her.